Serge Fabriano-Digital Caresse.jpg

Digital Caresse - Demain (LP)


Zouk and Gwo-Ka inspired digital electronic music programmed, played and sung by children. And with a Keith Haring inspired cover. It checks so many boxes that the first time I heard it I thought it was a hoax, and was actually something dreamt up by Ruf Dug, the english producer who rediscovered the album. Not hoax, but holy grail, and huge cudos to BeauMonde for helping put this on my shelf right between Lata Ramasar and TJ Hustler.

“It was back in 1980 that Serge, a talented young musician from Guadeloupe, while studying for a degree in “Arts & Informatique” (Computers & Arts Cycle) at the Université De Vincennes near Paris, discovered early computer-generated digital music (MAO in French) thanks to his roommates, who both taught computer-generated graphic arts.
In 1982 Fabriano and his Fabriano Unité Zion project recorded, with the help of Alain-Jean Marie, Mario Canonge and Pierre Labor, Cosmik Syndika*, which to this day remains a masterpiece of made-in-Guadeloupe Caribbean jazz.
The following years saw him tour the US and Canada as well as several other countries. By 1986 he was back in Guadeloupe, teaching music in the secondary schools of Point-à-Pître and Sainte-Rose. While doing this, his ongoing passion for the budding MAO led him to kit himself out: the Yamaha CX5M (MSX Music Computer), the Macintosh Plus, the legendary synthesizers DX7 and DX11 and several other early rhythm machines became his new toys.

Him and his partner at the time, Marie-Reine Lamoureux, who was also both a teacher and a musician, as well as a member of the Fabriano Fuzion project, decided to involve their pupils in his electronic musical experimentations. They recorded an album, composed of five tracks deliberately titled Demain, under the name “Digital Caresse” (the idea behind this was that instead of hitting the percussions to make music, one stroked the computer keyboard to coax a sound). The combination of the children’s choir, enchanting wonky flutes, saturated electronic beat and cosmic atmosphere perfectly outline the purity of this rough diamond.”

Release by BeauMonde Records

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